Pteridomania — The Fern Garden

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Pteridomania — The Fern Garden

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Pteridomania
The Fern Garden

As an introverted sphere of calmness and slow motion in a rather hostile and brisk cityscape (traffic, noise, exhaust, heat, concrete), the garden evolves over a geological time scale. It uses measured processes of soil creation and distribution, the dripping of water, sedimentation and climate changes, the decay of organic matter, and the animation of mineral structures. It oscillates between dry and swamp-like conditions — dreaming from the carboniferous and preparing for a post-anthropocentric chapter in Earth’s history. These living fossils emerge slowly in shaded and humid areas under the bridge, a gentle reminder of nature striving for release from human control.

The term ‘Pteridomania’ refers to the craze for ferns in the Victorian era. This ‘Fern-Fever’ emerged after the discovery (at the end of the 18th century) that ferns could be grown and propagated from spores. In the damp, cool climate and the primness of Victorian Society, their shapes, colours, and character allowed a tantalizing glimpse into an exotic and primordial world.

Site Inspection / Research

Untersuchung einer urbanen ‘Leerstelle’
Farngarten als Theaterszene
Research: Gardens - An Essay on the human condition

The Garden — Plans and Drawings

Plans

AXO

Section

Plant Tower

Modell Farnturm

Pteridomania — The Fern Garden

Work with me

Coming Soon…WIP

Coming Soon…WIP

Coming Soon…WIP

About

Hello, I’m Ferdinand, an architectural designer based in Vienna and Zurich, with an interdisciplinary approach encompassing architecture, landscape, art, and graphic design. My work focuses on the transitions between built and natural environments, exploring the spatial and ecological processes that shape landscapes and cities. I combine creative, scientific, and artisanal methods to reveal complex relationships in space, material, and time.

I’m particularly interested in hybrid landscape spaces, the reinterpretation of gardens, narrative mapping techniques, and experimental material studies. My practical experience spans various crafts—from woodworking and metal construction to prototype development and specialized dismantling—allowing me to merge theoretical design strategies with a deep fascination for materials, structures, and construction processes.

I perceive landscapes not merely as physical surroundings but as living archives of geological, cultural, and climatic processes. In my projects, I speculate on the ambivalent relationship between humans and the environment, crafting visual and spatial narratives to make these complex connections tangible. My workflow seamlessly integrates architecture, design, art, and natural sciences, utilizing diverse media—from drawing and cartography to model making, digital tools, and analog design methods.

This website serves as an ongoing archival project to store, contextualize, and exhibit past and current works and experiments. My portfolio offers a glimpse into my previous projects, reflecting my areas of interest and aesthetic language. For more information and materials on each project, please explore the respective sections on my website.

For inquiries or collaborations, feel free to contact me at ferdinand@klopfer.studio.

Diploma Presentation. Mehrzwecksaal, Semperdepot. Januar, 2023